Showing posts with label Joan Baez. Show all posts
Showing posts with label Joan Baez. Show all posts

Tuesday, April 9, 2013

Folky

I am up to my eyes in period dramas on tv at the moment - thoroughly enjoying the new seasons of Inspector George Gently, Call the Midwife and Mad Men.

Last week's Inspector George Gently had a distinctly folky tinge - to my delight - with the female lead, Ebony Buckle, also proving to be a lovely singer. I had never heard this song before - "Matty Groves" - but there are lots of great versions of it on You Tube - Sandy Dennis, for one, and also Alela Diane & Alina Hardin. Ebony Buckle also performed the lovely "Silver Dagger", made famous by the great Joan Baez. Great finds for me this week, accompanying me as I've been doing a bit of stitching.

What's caught your eye on the telly lately? Discovered any good music?

Monday, January 24, 2011

Oh, what fun we had!

A weekend of thrifting brought...a set of rune stones, which I have been looking for for some time but haven't bought because they were at least $50...found yesterday for $5...

A packet of very sweet and old cigarette cards with Australian birds...

A wonderful volume of Golden Hands as I look for the perfect A-line skirt pattern...

This even freaked out the little old lady behind the counter in the thrift store...

Fabulous 50s matchbooks. The Gay Gordon...now, that's a restaurant name that's not often used these days...

Good times.

And Judy Collins was great on Friday night. As if I wasn't in enough folkie heaven, there was a terrific doco on Joan Baez on tv last night. What a woman!

Tuesday, November 17, 2009

Possibilities

Robert Kennedy - photo courtesy of www.saddleback.edu
Pete Seeger (right) with Bob Dylan - photo courtesy of the Austin Chronicle website

Peter, Paul and Mary - photo courtesy of www.marytraversblogspot.com

Joan Baez - photo coutesy of the BBC website

We have bought the DVDs of the second season of Mad Men. Now, if you're a regular reader here, you'll know that I am pretty near obsessed with this show. And being the deep thinker (some would say over-analyser) that I am, I have been asking myself: why? Why do I love this show so much? Yes, the clothes are beautiful. Yes, the sets are mesmerising in their period detail. Yes, the plots are thoroughly engaging. But is there something else? And then I realised - yes, there is. Innocence. If you know the show, you may well laugh at this juncture. Innocence? In that hot-bed of extra-marital activity of an advertising agency, Sterling Cooper? Are you kidding? Are you even watching the right show? But what I mean is, the overall innocence of the era. Hey, I am no fool. I am well aware that people throughout time are people. They have good motivations and they have thoroughly awful motivations. Sometimes in equal measure. But when I think of the early to mid 1960s, I think of it as an era of innocence, when Western society as a whole (and that is all I can really vouch for) believed that things were possible. I'm sure there are a million holes that you could poke in that argument. This idea was informed initially by what my mother has said about the era: "People believed in things. We thought we could change things." Now, my mother was no radical and neither am I. I am notorious, in fact, for not having strong opinions on matters political. But I love the idea that people thought things were possible. Folk music of the era spoke of it especially. People like Joan Baez, Peter, Paul and Mary and Pete Seeger. Music, thanks to my Mum, that I was raised on.

Lately too, on this same theme, I have become fascinated by the story of Robert Kennedy, JFK's brother. And before I go any further, I know all about the stories of the Kennedys. The philandering, the extra-marital affairs, the apparently appalling attitude towards women. And I don't condone that for one second. But, recently, watching a documentary about Robert Kennedy, I was very interested to learn of the change he went through after his brother's assassination, how tragedy and absolute sorrow nearly broke him. But eventually, it didn't. He didn't live imbibed with hatred. His social policies, in fact, suggest the complete opposite. I love this quote of his from 1968:

"My favourite poet was Aeschylus. He once wrote: "Even in our sleep, pain which cannot forget falls drop by drop upon the heart, until, in our own despair, against our will, comes wisdom through the awful grace of God."

To me, it suggests that growth - not destruction - can come through pain and life's sometimes profound hardships. There is not always the easy fix which we sometimes seem to look for today, but solutions will come.

Do you agree with me? Do you think that more than anything we are blighted by cynicism now? Or are we, as Kennedy began to suggest, learning from all that's happened worldwide since the 1960s - as painful as much of it has been - to emerge in a better condition when all is said and done?